What Needs to be Remade

How much do we help of a person in need? Ranjith Sankar’s directorial debut talks about the same in the form the 2009 movie Passenger. He has brought the genre of social thrillers to full power into cinema, and he continued the same into the less efficient Arjunan Sakshi starring Prithviraj Sukumaran and Ann Augustine. Even though that movie also brought a picture of the society and criticized the system from the government to the police and the other people in charge, and reiterated the common man’s need to take the responsibility for the society, it was nothing like Passenger.

He had also shown the problems faced by someone who wanted to start a new business venture in Kerala with Punyalan Agarbattis and a different perspective in Molly Aunty Rocks!. But each and every time we watch Passenger, we realize that none of them can be a match to this debut movie from the same director. It was there on television on the day before yesterday too, and one has to wonder how it manages to be so fresh even after being watched so many times. I have watched it more than twenty times myself, and it was the big reason why I watched Arjunan Sakshi on the first day itself.

In the life of modernity, what is it that we can do for the society?

In the life of modernity and tall concrete, what is it that we can do for the society?

The story has Sathyanathan (Sreenivasan), a common man who works in a private company as the major protagonist. He is one of those simple people who goes to work in the city and comes back to his place in the regular passenger train. He finds happiness in the simple things like the local temple festivals, talking about news with the friends and having a few cups of tea. There is nothing special going on in his uncomplicated, predictable life which goes on and on, as he follows the machanical procedure. But as he is the last among his friends to get to down, one day, he falls asleep and misses the station near his place.

On the day on which he falls asleep, he wakes up to find that he was sleeping for so long, and asks another person Nandan Menon (Dileep) about the present situation. After a few moments of humorous conversations, they get down at the Guruvayur railway station and separates. But as Nandan is suddenly kidnapped by a group of goons in a car, Sathyanathan wishes to help, but is caught in a situation in which he can do nothing. He decides to travel to the man’s place inform his people about the same. But it is about more than what meets the eye, as he is a lawyer fighting a case against the home minister, and his wife is a leading journalist looking into the same case.

The journey of life continues, but at the end, what do we earn?

The journey of life continues, but as we reach that end, what do we earn?

There are no songs in this movie, and there are no stereotypes either. But life of the common man caught in a strange situation is brought to light here in a realistic manner. There is nothing spectacular done by the protagonist, but simple acts, as he goes on to make a difference without trying to be the superhero. There is a certain amount of simplicity in the portrayal of the character by Sreenivasan as he perfectly fits the role of a common man, something which might not have been the case with a superstar added. It is the kind of role which suits him without anything special added to it.

Dileep also plays a role which has no heroism, despite the character consistently trying to bring a change in the society while fighting the powerful politicians and businessmen in a legal way. Meanwhile, Mamta Mohandas has played the role of a determined journalist hoping to bring change in the society, with a lot of strength. Jagathy Sreekumar plays the man who wants to hold on to the political power in any manner possible, and Nedumudi Venu plays the character who is a reluctant helper and he turns the man who realizes his duty as the story gets tougher and things get to the next level. I would love to have Irrfan Khan or Naseeruddin Shah in the lead.

Passenger is a movie which should have been remade in many other languages, and not something like Bodyguard. With its situations, Passenger asks a question to the common audience about why one should help a fellow human being when there is a chance. It asks the common man to understand that one simple help might mean many things, and may be this helping hand can bring a big change in the society. May be someone will think that he or she is not capable of that change, but it is the sincere attempt that makes all the difference in the end because none of us know what results it can bring despite we being the weaker ones. It needs go further like the original Drishyam to be remade likeΒ Drishyam in Bollywood.

***The images used in this blog post were taken by me at Aluva (Alwaye) on my Sony Cybershot Camera.

TeNy

11 thoughts on “What Needs to be Remade

  1. Wow! I was about to write a post on passenger. I watched it the other day too. It is one among the best movies from the Malayalam film industry and it will be so for a long time to come. I also wondered what would happen if there aren’t any song sequences in movies. It isn’t really necessary unless it helps the plot.
    Felt good when I saw my thoughts reflected here. They should definitely remake the movie. As Anoop put it, it’s success is debatable since the language differs, the makers are different and so are the audience. But, there will be a number of people who will definitely appreciate it. πŸ™‚

    Liked by 1 person

      • Oh and I am all yes for Naseeruddin Shah or Irrfan Khan in the lead. πŸ™‚ It sort of gives me a glimpse into the movie A Wednesday πŸ™‚ I don’t know if it was a hit. But, if it wasn’t, then I doubt this will be. And also, I doubt the sanity of the audience.

        Liked by 1 person

      • I wonder if any of those big stars would want to do the role which Dileep did. If they get a big star, it will run for the audience πŸ™‚
        Low budget movie na? It should be a hit πŸ™‚

        Like

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