Your Cabin in the Woods

Horror is forever; just like the vampires. There are only a few full horror movies which can claim to have 91% approval rating at Rotten Tomatoes, and in the last three movies, no entertaining horror movie has managed to gain that. Do mark that I don’t consider the overrated flick, The Babadook as entertaining – I am still to figure out what brought the better ratings for that one, and I will write about it when I do find out the truth behind the same. Even The Conjuring did fall short, and so it is a great achievement that one movie has made among the usual ones.

The name of this movie can be guessed from the title itself – it is The Cabin in the Woods which did excellent with the critics and good at the box-office, but still remains a rather unknown title in South Asia. Well, it never really released here, and may be it could have got a theatre after the release of The Conjuring, after which all those horror movies started releasing one after the other, none really making the same impact with the audience. The Cabin in the Woods just came a little early, and the big horror fan teams were not active at that time.

The Cabin in the Woods is not just horror, as it is also a slasher. Another thing that it manages to be is to become a satire on the movies which can be classified more into the category of torture porn than anything else. It can also be considered as a horror comedy which makes fun of the use of violence, nudity, torture and sadism in those movies which uses them for no reason instead of integrating them or working them as necessary part of the flicks. The Cabin in the Woods doesn’t add them as stupid fun, but uses them effectively to mock a few other flicks which have brought the genre down.

There are horror movies which have used all the elements in the right manner, and while making use of those which never did along with becoming the satire, The Cabin in the Woods actually becomes that horror movie which is never to be missed. It also knows where to use the elements and when to stop. Even its bloodiest moments are controlled, and never going beyond a certain limit. The dumb movies like Kingsman: The Secret Service which tried some of the similar things and miserably failed becoming the true nonsense, which was strangely appreciated, can actually learn from this movie.

Kingsman: The Secret Service was a bloody stereotype which should have been blown right out of the theatre, as it is kilometres away from being funny or interesting. It couldn’t go on to become a satire and glorified all the possible stupidity. Meanwhile, The Cabin in the Woods manages to become every good thing that this year’s spy movie couldn’t. The people without the ability to think differently will still consider this one as just another horror movie. It should happen with a lot of people, and so a warning has to be issued related to the same.

This movie uses the idea of the “deserted cabin” which has been successfully used in many other horror movies. The movies which used it successfully include the Evil Dead franchise, and Cabin Fever has it in the name itself; I Spit on Your Grave and Wrong Turn had their own cabins, and here, we use the perfect example of the same, and at the same time making fun of the whole setting. This one has college students at an abandoned cabin, and a number of horror cliches are unleashed on them leaving them with no option but to fight them off watched by unknown people.

Dana Polk (Kristen Connolly), Holden McCrea (Jesse Williams), Marty Mikalski (Fran Kranz), Jules Louden (Anna Hutchison), and Curt Vaughan (Chris Hemsworth) are the five people left for the fate this time. The performances are really good, and they themselves make fun of the stereotypes used in horror movies. There is also a final twist in the end, and the movie itself becomes a reflection of how horror movies are made, or a thought about what would happen if reality shows were made based on horror rather than the repeated things that are shown on television. This is fun, and it works on brilliant idea, that of more than one existence – as a horror, comedy, satire, slasher, thriller and also that of a separate existence in the mind of a horror lover and inside a possible reality show.

***The images used in this blog post are from the Official Facebook Page of The Cabin in the Woods.

TeNy

Please Let Them In

There was a time when I was depressed about how the vampire movies were being made. Byzantium was a relief in that case, and before that movie, there was another flick which brought a certain relief, but it was even more unknown and didn’t do much at the box-office either. It was not that well-received because people were really not expecting this kind of a vampire movie, which they will consider not their kind of entertainment and also not the kind of horror that they want.

Well, the situation was more about making a choice. But it also meant that another vampire movie which had the true essence had to go down. It is never a good sign for a true vampire lover who wishes to keep the vampire essence closer to the vampires rather than mixing or bringing it to the human side so much that it makes one wonder if the resultant creature is a human in a vampire disguise. So, it is once again up-to us to bring such lesser known movies further attention.

Based on the novel Let the Right One In by John Ajvide Lindqvist and also coming after a Swedish movie of the same name had already released, this one has a lesser reception. Let Me In has managed good critical reception though, even as most of the people who have watched the Swedish original are stubborn and not ready to watch or accept this because they were too attached to that one. You don’t usually see this much critically appreciated movies in the horror genre, and Let Me In is not just about horror.

Chloë Grace Moretz is the future: She has been amazing.

Owen (Kodi Smit-McPhee), a boy neglected by his parents and bullied by other students at school, has a girl called Abby (Chloë Grace Moretz) arriving to live next door with her father Thomas (Richard Jenkins). She is pale, acts strange, has no friends and wishes to have no acquaintances outside what seems to be her small world of two. Still, the boy and girl soon become good friends, but it turns out that the latter is not what she is actually believed to be. There are mysterious deaths happening in the neighborhood, and soon, it is the father who goes missing.

Bullying is a central point in this movie and the movie speaks against it. It is the major factor on which the protagonist’s life is developed, as he remains hopeless, and feeling eternally weak before the bullying students until he meets the girl, his first real friend and a strange source of power. The relationship between the two develops slowly, but beautifully, without any exaggerated additions. She is the strength that he has longed for, and as the movie reaches the end, the two are good enough to compliment each other, as he finds the strength to resist the bullies.

The vampire’s need for blood and their hidden lifestyle is shown without the style and glorification that it had with some of the movies of the time. There is nothing that much of beautiful about it here with being the creature of the night. There is not even the strange mystery which is often equated with beauty. Things are rather clear here. It is not that interesting being the immortal vampire. The need for blood is beyond control and the requirement of hiding is so much. There is no usual kind of entertainment, but there is the skill of story-telling and the strength of strong emotions in display here.

The kids are too good in this movie; there is not much about the adult characters here though. Chloë Grace Moretz and Kodi Smit-McPhee come up with incredibly mature performances. The former adds a very significant strength to the adaptation, as she works through her vampire-self with elegance in this movie. She adds her own charm to the character, and once again proves herself as the future of the movie world. You will surely need to watch Let Me In, and may be the Swedish version, Let the Right One In depending on which one you get. Here is another #UnknownMasterpiece.

TeNy

Sharpen Your Fangs

Most of the vampires have enjoyed some good time at the box-office with those movies with fangs driving hard into the necks of those currency notes. Some of the most mindless vampire franchises have done so well, that one has already gotten $3.345 billion world-wide. The most shocking thing is that the last two movies of that franchise which were the worst, actually managed to earn more than the the rest. It is a strange world, and a change of human perception about the vampires has made sure that this strange, meaningless vampire romance was going to take over to satisfy some audience.

But the question remained if such movies had to be made, and also if such books were to be written with not caring for the vampire essence? Interview with the Vampire maintained the basic vampire essence, and so did Vampire Journals; none of them needed to go into the strange teenage romance. Let Me In had recreated the same so much, and didn’t go down to a childish fantasy. There is a movie which knows how to make a rather beautiful and thought-provoking vampire stuff; something that Twilight had completely missed out, and with its complicated protagonists and complete artistic beauty, that movie is Byzantium.

Byzantium is a less recognized beauty. It is not known that much among even the most regular movie viewers. The reason might be that it never really got a wide release. It comes from Neil Jordan who brought us Interview with the Vampire, and this movie maintains the feelings of that one including alienation, solitude, hopelessness and eternal doubt. The movie begins with these lines “My story can never be told. I write it over and over, wherever we find shelter. I write of what I cannot speak: the truth. I write all I know of it, then I throw the pages to the wind. Maybe the birds can read it”.

In a word which completely takes you into its eerie feeling, Eleanor (Saoirse Ronan) and Clara (Gemma Arterton), the mysterious daughter and mother pair is on a never-ending run and finally seems to have somehow settled at the Hotel Byzantium. They have been chased by a group of vampires for around two hundred years. The flashback story goes back to the time of the Napoleonic Wars during which Clara is born. But at Byzantium, it is not just the past that will come to trouble the mother and daughter, as the present will catch up to them to force them in order to make decisions.

We have been forced into the CGI beauty which has often overtaken the beauty of the world and its people, and Byzantium takes you back to it. Saoirse Ronan plays a wandering beauty who carries a burden of melancholy with amazing skills. Four years after City of Ember, she once again brings the audience to a standstill with her performance as the lone vampire youth who never ages. Kirsten Dunst played such a character as a child vampire in Interview with the Vampire, but Eleanor’s troubles go deeper. She has the feelings of not just Claudia from that movie, but also that of Louis de Pointe du Lac.

The one thing we can tell Saoirse Ronan’s character is to stop being so sad, as it basically depresses the viewers and makes them wonder how an immortal beauty can be portrayed with such powerful and abiding sadness. In such a world of no happiness, Gemma Arterton is Clara Webb, charming, seductive and deadly. Traversing between the darkness and the light, or rather dark grey and light grey, she is a character who saves the day in more than one way, and that depiction is rather of a domination that rises above the expectation. As she says “I had eyes that cut through lies, I had lungs that breathed eternity. Felt I’d lived my whole wretched life just to prepare me for that moment“.

Byzantium is a movie which replenished my vampire essence which was taken away by three movies, the completely worthless and shameless one called The Mortal Instruments: City of Bones, the hopeless one called Twilight and the clueless one called Vampire Academy: Blood Sisters. Byzantium is unbelievably artistic in its presentation, stylish with its environment and brutal with its emotions. It is like a form of art which does justice to the vampire mythology and never boasting about. As it hasn’t been promoted enough, I provide this post for celebrating this rather #UnknownMasterpiece.

***The images used in this blog post are from the Facebook Page of Byzantium.

TeNy